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When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”
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Bambara Buzz
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Bambara Buzz
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Euan Kemp, winner of Scottish Young Musicians Solo Performer of the Year 2024, said: “I feel amazing having won this competition and honoured to have represented East Dunbartonshire and Douglas Academy. <br/><br/>“I’ve been making music in East Dunbartonshire for the whole of my musical career, starting with the children’s chorus in P2 and then growing through playing in orchestras and ensembles both in school and the wider Local Authority. It’s such a nurturing, supportive and enjoyable environment to be a part of and I’m proud to bring this trophy home to them.”<br/><br/>Euan receives £1,000 to spend on furthering his musical career and the Maid of Morven trophy made by the Kings’s Sculptor in Ordinary in Scotland Alexander Stoddart FRSE. <br/><br/>Euan also receives a package of opportunities provided by the Royal Conservatoire of Scotland including a coaching session, participation in a masterclass and a studio recording session.<br/><br/>Jake Johnstone, who left audiences enthralled with his accordion pieces which were accompanied by his younger sister on the piano, and Magnus Shanks, who wowed with his piano performance, both receive £250 to spend on musical activities and a coaching session and masterclass slot at the Royal Conservatoire of Scotland.<br/><br/>For the first time this year the winner of each of the other categories was announced live at the end of the final. Hannah Pringle from Stirling won the strings category, Thomas Lamb from Clackmannanshire won in brass, Amelia Leishman representing Edinburgh won for percussion, and East Ayrshire’s Aimee Sharp was announced as the winner of the vocal category. They will each be awarded career-enhancing experiences thanks to the generosity of some of the UK’s top music organisations.<br/><br/>The panel of judges was led by trumpeter John Wallace CBE, former Principal of the Royal Conservatoire of Scotland. He was joined by soprano Jane Irwin, violinist Greg Lawon, clarinettist Adam Lee and pianist Sinae Lee. They had the difficult job of selecting the winner and two runners up from performances on a range of instruments including saxophone, clarsach, accordion, guitar, pipes, trumpet and more.<br/><br/>The day culminated in performances by the winning Scottish Young Musicians Brass Ensemble of the Year Campbeltown Brass Ensemble and Ensemble of the Year, Belmont Academy Woodwind Ensemble from South Ayrshire. <br/><br/> Alan Kerr, Chair of Scottish Young Musicians, said: “Today we’ve seen 31 incredibly affecting performances from young people representing 99% of Scotland’s school-aged population.<br/><br/>“The standard of performances has been extraordinarily high and we’ve seen some very emotional playing that has left our audience, and adjudicators, absolutely enthralled.<br/><br/>“The final is the culmination of individual school and local authority competitions. While today we witnessed some of our most gifted musicians, the festival’s aim is to encourage the broadest participation of all talents through all communities.<br/><br/>“Credit goes to the enthusiasm of teacher
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les jeune fille Malienne sur tiktok
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Diatoya djoukeli douma
⏲ 2 minutes 39 seconds 👁 3.7K
Record Date: November 23, 1982<br/>Record Location: Royal Albert Hall, London<br/>Arranged By: Richard Hewson<br/>Produced By: Cliff Richard & Richard Hewson<br/>Engineered By: John Kurlander<br/>Mixed By:Keith Bessey<br/>Mix Location:Strawberry Studios South, Surrey<br/>Performed By: Cliff Richard (vocals), The London Philharmonic Orchestra conducted by Richard Hewson (orchestra), David Cooke (synthesizer), Mark Griffiths (bass), Graham Jarvis (drums), Steve Gray (piano), Tony Rivers (backing vocals), Tony Harding (backing vocals), Stuart Calver (backing vocals), John Perry (backing vocals)<br/>LYRICS<br/><br/>Softly, I will leave you softly<br/>For my heart would break if you should wake and see me go<br/>So I leave you softly, long before you miss me<br/><br/>Long before your arms can beg me stay<br/>For one more hour or one more day<br/>After all the years, I can't bear the tears to fall<br/>So softly, as I leave you there<br/><br/>So I will leave you softly<br/>Long before you miss me<br/>Long before your arms can beg me stay<br/>For one more hour or one more day<br/><br/>After all the years, I can't bear the tears to fall<br/>So softly, as I leave you there<br/>As I leave you there<br/>As I leave you there
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Mams officiel
⏲ 6 minutes 58 seconds 👁 58.6K
les jeune fille Malienne sur tiktok
⏲ 1 minute 51 seconds 👁 26.2K
These acts left an impression. Welcome to MsMojo, and today we’re counting down our picks for the most masterful vocal impressionists in “America’s Got Talent” history.
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Mams officiel
⏲ 2 minutes 18 seconds 👁 5.5K
Bambara Buzz
⏲ 1 minute 35 seconds 👁 20.4K
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